Episode 31 with Associate Professor of Literary Art, Anita E. Cherian

Performance Studies scholar, Dr Cherian discusses the limits of subversion in Indian classical dance. She revisits her article on Narthaki Nataraj and Kalakrishna, and explains the political processes that led to the formation of the category of "classical." She reflects on the composition of the audiences for classical dance performances across different cities while addressing the questions of caste capital and appropriation. She also touches upon the challenges of being a Dean in a public university, and the ways in which she is able to center care in her everyday work as an administrator.