I Love My Dad with James Morosini

Think of your worst experience with online dating – the most excruciating Hinge disaster or Tinder catastrophe. However bad you might think that ordeal was, it’s nothing on the tale told in the extraordinary recent indie I Love My Dad. Part cringe comedy, part family drama and part horror movie for the MySpace generation, the film followed a screw-up father who’s desperate to reconnect with the child he pushed away. Blocked on social media, this father – Chuck, played by Patton Oswalt – resorts to posing online as a beautiful young waitress whose friend request his estranged son will surely accept. The scheme is soon complicated, however, when the teenager begins to fall for this stranger in his DMs, growing determined to meet her in person.<br/><br/>That premise – a teenager cat-fished by his own father – might sound like the logline for a zany, high-concept Hollywood romp, but what’s so special about I Love My Dad is how grounded it is in the loneliness of being a certain age and desperate for connection. The lure of the internet, the versions of ourselves we present online and the sometimes unhealthy fantasies that permits – these questions are all explored in the film by the film’s outrageously talented writer, director and star, James Morosini, who it was a delight to chat with for this week’s episode.<br/><br/>In the spoiler conversation you’re about to hear, James explains how I Love My Dad has such an air of emotional truth to it because, well, “this actually happened” to quote the film itself. There are ways in which James’ story deviates from the one in the film but yes – his father really did cat-fish him in real-life, in events that inspired his screenplay. We discuss Age, Sex, Location – the title of James’ first draft of the film – and why an early ending in which Chuck has a heart attack and Franklin gets together with the real-life Becca had to go. It’s a fascinating conversation about the inherent performance of social media – how we’re all cat-fishing one another to less explicit degrees – and why running towards our most embarrassing moments and most vulnerable parts of ourselves, rather than running away, makes for great storytelling.<br/><br/>Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.<br/><br/>Support for this episode comes from MUBI, ScreenCraft, Arc Studio Pro and WeScreenplay.<br/><br/>To get ad-free episodes and exclusive content, join us on Patreon.<br/>Support the show