Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975 Foreign Film)

The seventh episode of our season on the awesome movie year of 1975 features our foreign film pick, Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. Written and directed by Chantal Akerman and starring Delphine Seyrig and Jan Decorte, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles was named the greatest film of all time in the most recent Sight and Sound poll.The contemporary reviews quoted in this episode come from Louis Marcorelles in Le Monde (https://www.lemonde.fr/archive....s/article/1976/01/22 Danièle Dubroux in Cahiers du Cinema, and Kevin Thomas in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen’s Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1975 installment, featuring Jason’s personal pick, Sidney Lumet’s Dog Day Afternoon.