#4: No Sense of Cock

We're getting contemporary and feminist with it, tackling Alex Garland's searing indictment of the British (and maybe misogyny, perhaps??), Men (2022), and Jane Campion's erotic thriller deconstruction, In the Cut (2003). Sammy and Gerry dive into how these films use genre elements to explore social themes, and why one is so much more successful at this than the other. Contains spoilers for both films.