Gender, Colonialism, and the Everyday in Sambizanga

A discussion of Sarah Maldoror's film Sambizanga (1972) and how it entwines reflections on gender, colonialism, and the everyday. As well, I discuss Maldoror's commitment to making a film infused with mourning and beauty both, which does not compromise the politics of the film but instead, in the aesthetic dimension, teaches a moral lesson about the poor and revolutionary consciousness.